If these scores could talk
How to read the unwritten rules (and non-linearities) of wine scoring
Have a look at a piano keyboard:
It would be easy to assume that all the white notes are musically equidistant; that each time you ascend, from C to D, from D to E, and from E to F, you’re ascending the same musical distance.
In truth the musical distance - that is to say the ratio between frequencies, or pitch - between E and F, or B and C (the two sets …
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